Often, fashion trends are impossible to trace back to the original period. For example, short skirts and boots from the 1960s in England made their way to Paris’ runways. Hip-hop and blue jeans influenced Haute Couture fashion shows in London and Milan. These trends have no set origin or timeline, and often develop in reaction to events, art, and music. In short, fashion reacts to social conditions and reflects a broader society’s values.
Styles of fashion can be defined as a person’s choice of attire. In addition to the usual styles, a person can also choose to follow a particular culture’s style. Hip hop fashion, for example, focuses on street clothing and is characterized by its bold and boldly colorful designs. A person may also opt to follow a specific fashion trend, such as cosplay, which is a style of dressing up like a popular pop character. Another popular style of dressing is kawaii, which is associated with a culture of cuteness in Japan. This style is characterized by pastel colors and a childlike aesthetic. In Europe, the fashion style is known as lagenlook, which includes many layers of clothing.
Fashion has many subcultures. Hip-hop fashion was a big part of the 1980s and 1990s, and its style reflects the subculture’s popularity. Hip-hop clothing is more expensive than other types of clothing, as famous designers make hip-hop fashion items. Hip-hop fashion redefined the silhouette, making sagging pants and oversized tees fashionable. Baseball caps were also important, worn backwards. Hip-hop fashion artists set the trends in the subculture.
Fashion can be a great force for good, but the world of fashion also has its dark side. The issues of exploitation of garment workers, diversity, and environmental damage have been well-documented and often addressed through fashion. Fashion has the power to make significant change and is often an ally to the female public in their fight for equality. Here are some of the ways in which fashion has been a force for good in the past.
Ages of fashion explores the relationship between age and fashion, integrating ideas from cultural gerontology, fashion theory, and older women’s perspectives. By studying how we dress and age, it shows how ageing is a social process, affecting both the body and the ways in which people express themselves. It also explores how age and dress interact as cultural markers. The book will be of interest to students of ageing, gender, and consumption studies.
In the post-genre world, fashion is challenged to evolve its aesthetic vocabulary to accommodate a broad range of cultural influences, including video games, cartoons, film, art, music, identity studies, and video games. This means fashion brands must develop their own signature aesthetic ledger, or brand identity. Essentially, fashion is entertainment. The rest of us buy merchandise. We do not care if the clothing is trendy or ugly, as long as it makes us feel good.
Louise Crewe’s seminal book The Geographies of Fashion focuses on the relationship between geography and fashion. She argues that fashion has long used geographic strategies of association and dissociation to hide global inequalities, abuses of labor standards, and environmental catastrophes. By studying the world’s geography, we can better understand the human-environment relationship and the evolution of fashion. Here are some interesting facts about geography and fashion.
The Business of Fashion is a multi-channel initiative that explores the most influential people in the global fashion industry. The project also features BoF Careers, a global marketplace for fashion talent. It launched in April 2014, and already has 180 partner companies, including leading agencies, thriving brands, and disruptive startups. The business model is simple. It offers a monthly newsletter that includes in-depth articles on trends, products, and more.